Symbolic illustration of the literary debate surrounding Machado de Assis.

Literary Feud: Unpacking the Machado de Assis Rivalry Through the Eyes of His Critics

"Explore the contrasting viewpoints of Sílvio Romero and José Veríssimo and their impact on the legacy of Brazil's literary giant."


Machado de Assis, a towering figure in Brazilian literature, continues to captivate readers with his insightful and often satirical novels and short stories. However, his genius wasn't universally acknowledged during his time. This article explores the complex and often contradictory reception of Machado de Assis through the critical analyses of two prominent literary figures: Sílvio Romero and José Veríssimo.

Romero and Veríssimo, both influential critics in the late 19th and early 20th centuries, held vastly different opinions on Machado de Assis's work. Their contrasting perspectives not only shaped the initial understanding of his literature but also continue to influence how we perceive his legacy today. Understanding this critical rivalry offers a deeper appreciation of the cultural and intellectual landscape of Brazil at the time.

This article delves into the core of their disagreement, examining the key arguments, the underlying philosophical and social contexts, and the lasting impact of their debate on Brazilian literary criticism. By unpacking their contrasting viewpoints, we can gain a richer understanding of Machado de Assis and the evolution of Brazilian literary identity.

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Machado de Assis: Brazil's Most Celebrated Literary Figure

Joaquim Maria Machado de Assis (21 June 1839 – 29 September 1908) was a pioneer Brazilian novelist, poet, playwright, and short story writer, widely regarded as the greatest writer of Brazilian literature. His literary output spanned virtually all genres, including poetry, novels, crônicas (chronicles), and drama. In 1897, he founded the Brazilian Academy of Letters, an institution that endures as one of the country's most prestigious cultural bodies. He is sometimes referred to as 'Bruxo do Cosme Velho' (the Wizard of Cosme Velho), a nickname reflecting the mystery and admiration surrounding his craft.

Methodological Approaches to Studying Machado

Scholarly engagement with Machado de Assis has employed diverse methodological frameworks. João Cézar de Castro Rocha, in his 2015 study 'Machado de Assis: Toward a Poetics of Emulation,' advocates a radical reorientation of the standard crosscutting approach to Machado's work, proposing instead a poetics of emulation as an alternative interpretive lens. Separately, researchers have applied biomedical and biographical methodologies, such as studying Machado's epilepsy and the stigma he endured, to illuminate how personal suffering shaped his art. These varied approaches — literary-theoretical, biomedical, and comparative — each illuminate different facets of Machado but also reveal the limitations of relying on any single critical framework to capture the full complexity of his oeuvre.

Foundational Milestones in Machado's Career

Machado de Assis was born into humble circumstances in Rio de Janeiro and began his career working for newspapers and at the official printing press of Rio de Janeiro, where he formed a connection with the established writer Joaquim Manuel de Macedo. His first volume of poems, 'Crisálidas' (Chrysalis), was published in 1864, marking his formal entry into literary life. His masterpiece, the novel 'Dom Casmurro' (1899), is widely described as a haunting journey into a mind warped by jealousy. Until the age of 40, Machado grappled with acquiring both literary technique and form, after which he produced his most significant works characterized by subtle irony and well-crafted ambiguity that mordantly criticized Brazil's upper middle class and elites.

The Diverging Views: Romero's Nationalist Critique vs. Veríssimo's Embrace

Symbolic illustration of the literary debate surrounding Machado de Assis.

Silvio Romero, a staunch nationalist, viewed literature through the lens of Brazilian identity. He believed that true Brazilian art should reflect the country's unique racial and cultural makeup. Romero criticized Machado de Assis for what he perceived as a lack of authentic Brazilian character in his works, accusing him of imitating European styles and failing to capture the true spirit of the nation. He saw Machado's characters as detached and artificial, lacking the vibrancy and passion he associated with the Brazilian people.

José Veríssimo, while initially sharing some of Romero's nationalist sentiments, later shifted his perspective. He came to appreciate Machado de Assis's unique style, his psychological depth, and his ability to transcend narrow nationalistic confines. Veríssimo argued that Machado's genius lay in his capacity to explore universal themes of human nature, making his work relevant far beyond the borders of Brazil. He championed Machado's artistic freedom and defended him against Romero's criticisms, recognizing the enduring value of his literary contributions.

Here's a quick comparison of Romero and Veríssimo's critical lenses:
  • Romero: Focused on national identity, authenticity, and reflection of Brazilian culture.
  • Veríssimo: Emphasized artistic freedom, universal themes, and psychological depth.
  • Key Point of Contention: Whether Machado's work truly represented the Brazilian spirit.
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Contemporary Scholarship on Machado de Assis

Recent scholarship continues to expand the critical understanding of Machado de Assis in multiple directions. A JSTOR-published study reinterprets Machado as a radical thinker whose fiction offers a penetrating critique of race, gender, and class in the making of modern Brazil. The Machado de Assis Digital Corpus Project (MADCP), hosted at Brigham Young University, leverages tools from digital humanities and corpus linguistics to explore Machado's work in quantitative ways previously impractical or impossible. The journal 'Machado de Assis em linha' published a 2023 volume reviewing 'Atualidade de Machado de Assis: leituras críticas,' edited by Andréa Sirihal Werkema and João Cezar de Castro Rocha, indicating sustained institutional engagement with Machado studies.

Critical Disputes in Machado Scholarship

Machado de Assis criticism has long been shaped by competing interpretive schools. An article examining the constitution of a 'realist Machado de Assis' traces how critics such as José Veríssimo, Lúcia Miguel Pereira, Alfredo Bosi, Roberto Schwarz, and John Gledson each constructed fundamentally different readings of his work. Castro Rocha situates a pivotal moment of critical tension in the fallout from Eça de Queirós's success with 'Cousin Basílio,' which prompted Machado to pen two long texts condemning the Portuguese author and his work — a rivalry that has fueled ongoing scholarly debate. Despite personal challenges including epilepsy and a speech impediment, Machado achieved early literary success, and by the 1880s was producing his most significant works, though critical consensus on how to categorize his realism remains contested.

Machado in Comparative and Transatlantic Context

Scholars have positioned Machado de Assis not merely as a national figure but as a major theoretician of the modern novel form, with a JSTOR-published study arguing that his work on language and imitation constitutes a significant contribution to narrative theory. His writing grappled extensively with the intertwined themes of slavery, gender, and racism throughout his career, approaching these subjects in three successive but overlapping phases. The political dimensions of Machado's identity have also entered comparative analysis: in theatrical and cultural adaptations, the 'renowned mulatto writer' has been played by white actors, a phenomenon reflecting the broader whitening that permeated even the notion of racial democracy in Brazil, prompting complaints against such representational choices.

The core of their disagreement stemmed from fundamentally different ideas about the role of the artist in society. Romero believed the artist had a responsibility to contribute to the construction of a national identity, while Veríssimo valued artistic freedom and the exploration of universal human experiences. This clash of values shaped their interpretations of Machado de Assis and fueled their critical rivalry.

The Enduring Legacy of a Literary Debate

The critical rivalry between Sílvio Romero and José Veríssimo continues to resonate in Brazilian literary studies. Their contrasting perspectives serve as a reminder that artistic interpretation is subjective and shaped by individual values and beliefs. While Romero's nationalist critique initially overshadowed Machado de Assis's reception, Veríssimo's defense ultimately paved the way for a broader appreciation of his genius. The debate encourages us to engage critically with literature, considering diverse viewpoints and recognizing the complex interplay between art, culture, and identity.

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Critical Synthesis of Machado's Legacy

Through his novels and short stories, Machado de Assis critiques the superficial self-sufficiency of the bourgeoisie while highlighting the subtle ambiguities of human nature. John Gledson argues that the unreliability, skepticism, and relativity encouraged by Machado's ambiguity compel readers to read between the lines and arrive at a censure of social structures — a position debated against Barros Baptista's vocal proponent of viewing Machado as an anti-realist. Machado's narrative techniques, including metafiction and unreliable narrators, along with his themes of existentialism and psychological depth, have transcended Brazilian literature to influence global literary movements. By bridging Brazilian and American literary traditions, Machado enriches the global literary canon and fosters deeper understanding of universal human experiences.

The Enduring and Expanding Relevance of Machado

Joaquim Maria Machado de Assis is recognized as a major figure of the nineteenth century who anticipates many trends of more current literary production, according to a Wiley-published critical overview. His reputation now resides primarily in his short stories and novels, despite the fact that he practiced all major literary genres. A 2024 lecture at the Brazilian Academy of Letters by writer Jeferson Tenório raised questions about 'the racial strategy behind Machado de Assis' work,' described as feeling inexhaustible — suggesting that new interpretive frontiers continue to emerge. Additionally, the constant expansion of Machado's personal library and intellectual repertoire underscores a lifelong commitment to broadening his dominion over literary tradition, a dimension of his legacy ripe for further scholarly exploration.

Machado Within Brazil's Political and Social Landscape

Understanding Machado de Assis requires situating him within the political and social environment of nineteenth-century Brazil with which he actively dialogued through his work. His anxieties regarding his race and social origin, the epilepsy that afflicted him, and his stuttering all had powerful influences on his art, with literature serving as his primary form of relief. A chapter in a Springer-published volume functions as a historical introduction to Machado, examining the broader systemic conditions — including slavery, racial hierarchy, and class stratification — that shaped both his life and his literary output. These contextual dimensions are essential for appreciating how Machado's fiction emerged from and responded to the structural challenges of his era.

Machado's Global Cultural Resonance

The first book-length edited collection on Machado de Assis offers essays providing new critical perspectives not only on Brazilian literature and history but also on social, cultural, and political phenomena that continue to have global repercussions. A study titled 'Local Thesis of Global Potential? How Machado de Assis Became a Classic of World Literature' examines the process by which a locally rooted author achieved canonical status on the world stage. The volume 'Machado de Assis, Blackness, and the Americas' further reconsiders this issue by exploring how his prose fiction has been received in the United States, arguing that Machado was hailed as one of Latin America's greatest writers while also constituting a major theoretician of the modern novel form. Together, these works underscore Machado's real-world impact as a figure whose significance extends far beyond Brazilian borders into the broader landscape of world literature.

About this Article -

Written with AI assistance from published research, and reviewed by the Mystum team. See our About page for more information.

This article is based on research published under:

DOI-LINK: 10.1590/2238-38752015v5111, Alternate LINK

Title: Machado De Assis Em Perspectiva: Os Olhares Divergentes De Sílvio Romero E José Veríssimo

Subject: Social Sciences (miscellaneous)

Journal: Sociologia & Antropologia

Publisher: FapUNIFESP (SciELO)

Authors: Maurício Maia Aguiar

Published: 2015-04-01

Everything You Need To Know

1

What were Sílvio Romero's main criticisms of Machado de Assis's work, and how did his nationalist views influence his perspective?

Sílvio Romero viewed literature through the lens of Brazilian identity, believing that true Brazilian art should reflect the nation's unique racial and cultural makeup. He criticized Machado de Assis for what he perceived as a lack of authentic Brazilian character in his works, accusing him of imitating European styles and failing to capture the true spirit of the nation. He saw Machado's characters as detached and artificial, lacking the vibrancy and passion he associated with the Brazilian people. Romero's perspective highlights the importance of national identity in art, a perspective that, while influential, can sometimes limit the appreciation of universal themes.

2

How did José Veríssimo's perspective on Machado de Assis differ from Sílvio Romero's, and what led to his shift in opinion?

José Veríssimo appreciated Machado de Assis's unique style, his psychological depth, and his ability to transcend narrow nationalistic confines. Veríssimo argued that Machado's genius lay in his capacity to explore universal themes of human nature, making his work relevant far beyond the borders of Brazil. He championed Machado's artistic freedom and defended him against Romero's criticisms, recognizing the enduring value of his literary contributions. Veríssimo's shift in perspective underscores the evolution of critical thought and the recognition of artistic merit beyond nationalistic considerations. He showed how focusing on the universal characteristics can elevate an author.

3

What was the central point of disagreement between Sílvio Romero and José Veríssimo regarding the role of the artist in society, and how did this shape their interpretations of Machado de Assis?

The core disagreement between Sílvio Romero and José Veríssimo stemmed from fundamentally different ideas about the role of the artist in society. Romero believed the artist had a responsibility to contribute to the construction of a national identity. Veríssimo valued artistic freedom and the exploration of universal human experiences. This clash of values shaped their interpretations of Machado de Assis and fueled their critical rivalry. It highlights the tension between art as a vehicle for national expression and art as a means of exploring broader human truths.

4

Why does the critical rivalry between Sílvio Romero and José Veríssimo continue to be relevant in Brazilian literary studies today?

The critical rivalry between Sílvio Romero and José Veríssimo continues to resonate in Brazilian literary studies because it serves as a reminder that artistic interpretation is subjective and shaped by individual values and beliefs. While Romero's nationalist critique initially overshadowed Machado de Assis's reception, Veríssimo's defense ultimately paved the way for a broader appreciation of his genius. The debate encourages us to engage critically with literature, considering diverse viewpoints and recognizing the complex interplay between art, culture, and identity. The dialogue prompts a continuous re-evaluation of literary standards and the evolution of cultural perceptions.

5

What were the implications of Sílvio Romero’s critique on Machado de Assis's work regarding national identity and artistic expression, and what questions does it raise about the balance between cultural representation and artistic freedom?

Sílvio Romero's critique of Machado de Assis focused on what he saw as a lack of authentic Brazilian character and an over-reliance on European styles. Romero emphasized national identity and believed that Brazilian art should specifically reflect the country's unique racial and cultural makeup. He deemed Machado de Assis's characters detached and artificial, failing to capture the true spirit of the nation. The implications of this perspective suggest a potential limitation on artistic expression if confined strictly to nationalistic criteria, potentially overlooking universal themes and artistic innovation. This raises questions about the balance between cultural representation and artistic freedom.

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